{"id":6688,"date":"2013-01-13T11:06:17","date_gmt":"2013-01-13T11:06:17","guid":{"rendered":"http:\/\/demo.qodeinteractive.com\/elision\/?page_id=6688"},"modified":"2016-01-26T11:01:47","modified_gmt":"2016-01-26T11:01:47","slug":"dark-template","status":"publish","type":"page","link":"http:\/\/joseciria.com\/english\/","title":{"rendered":"Dark Template"},"content":{"rendered":"[vc_row row_type=\u00bbsection\u00bb type=\u00bbfull_width\u00bb text_align=\u00bbcenter\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb0″ background_color=\u00bb#000000″][vc_column width=\u00bb1\/1″][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbgrid\u00bb text_align=\u00bbcenter\u00bb][vc_column_inner width=\u00bb1\/1″]<\/i><\/a><\/span>NEWS<\/a>[vc_separator type=\u00bbnormal\u00bb position=\u00bbcenter\u00bb color=\u00bb#000000″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/1″]
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<\/i><\/a><\/i><\/a><\/i>1<\/span><\/a><\/span><\/span><\/span><\/span>

FAUCES. TEA. Tenerife<\/a><\/h4><\/span><\/div><\/div><\/div><\/div><\/article>\n
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<\/i><\/a><\/i><\/a><\/i>0<\/span><\/a><\/span><\/span><\/span><\/span>

LAS PUERTAS DE UASET. Tabacalera. Madrid<\/a><\/h4><\/span><\/div><\/div><\/div><\/div><\/article>\n
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<\/i><\/a><\/i><\/a><\/i>1<\/span><\/a><\/span><\/span><\/span><\/span>

CIRIA PRONUNCED THIRIA. MoMa. New York<\/a><\/h4><\/span><\/div><\/div><\/div><\/div><\/article>\n
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<\/i><\/a><\/i><\/a><\/i>5<\/span><\/a><\/span><\/span><\/span><\/span>

ALICIA WINTER GALERIA. Arnhem, The Netherlands<\/a><\/h4><\/span><\/div><\/div><\/div><\/div><\/article>\n
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<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=\u00bbsection\u00bb type=\u00bbgrid\u00bb text_align=\u00bbleft\u00bb padding_bottom=\u00bb100″ padding_top=\u00bb65″ background_color=\u00bb#171717″][vc_column width=\u00bb1\/1″][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbgrid\u00bb text_align=\u00bbcenter\u00bb][vc_column_inner width=\u00bb1\/1″]<\/i><\/i><\/span>[\/vc_column_inner][\/vc_row_inner]\n

There is an emotional conduit given to these paintings that is not only expressive, but also aggressive in their redemptive extroverted fecundity.<\/span><\/h3>\n<\/span>\n

Robert C. Morgan<\/span>
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These pages intend to address the formal language of Jos\u00e9 Manuel Ciria, an artist whose career has developed around an investigation of the painterly image as a territory whose cartography can still be rewritten. To that end, it has always taken as its point of departure the successes and failures of the modernist movements that structured the evolution of modern art and distilled that legacy (now poisoned, now revelatory) as a structure upon which to support his own aesthetic and conceptual foundations.<\/p>\n[\/vc_column_text][vc_separator type=\u00bbtransparent\u00bb position=\u00bbcenter\u00bb up=\u00bb15″ down=\u00bb15″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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